Re: Hi from bhuz!

yeah they are pretty short clips. I appreciate that you have a variety of skills, that you are working with a variety of props and styles and have very cute personality when you perform. One general thing I thought was somewhat apparent through out is a slight lack of total body awareness and control in the movements. That sounds bad when I say it like that, but what I mean is that many of your movements seemed to lack full intent. For one example take a look at your snake arms in the Turkish clip. They seemed very half hearted, you right arm is doing more work than the left. They lack muscle tension and slow control. It's like you told your body, "do snake arms" so your body does a snake arm, but it doesn't have trained in it a really well formed idea in its muscle memory of a beautiful snake arm. I saw this same sense of half-heartedness and incompleteness in several (not all) of your movements. I think it would be useful for you to start drilling yourself on the details. Drill a really good snake arm so that that becomes the only snake arm your body will do. Drill intention, power, sharpness and smoothness into your basic technique, so it feels a little less like you are going through the motions thoughtlessly and more like you don't have to think about it because your body knows exactly where to go and how to execute the movements with grace and skill. I would suggest taking a look at the footage of yourself again and start to identify which movements look unfinished or loose or undefined and pick some to start drilling into the ground. Once you get your technique a little stronger there are other things I would suggest thinking about, but I think creating more of a sense of intention in your movements is the most important thing I can suggest for you right now.